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The Man Behind Project 2025’s Most Radical Plans

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The Man Behind Project 2025’s Most Radical Plans

AUGUST 5, 2024

by Alex MacGills-ProPublic

In January 2023, a group of about 15 people gathered for three days at the Heritage Foundation, the conservative Washington think tank a few blocks from the Capitol. Their aim was ambitious and farsighted: to start building the next Republican administration, two years before a Republican president might again take office.

The group’s leaders originally cast the initiative as candidate-agnostic, intended to assist the 2024 Republican nominee, whoever that might be But there was no real doubt who the envisioned beneficiary was. The team included several former members of the Trump administration, and the whole effort was geared to address a perceived shortcoming of the White House: its failure to fill enough key government positions with Trump loyalists. So few had expected Trump to win in 2016 that hiring had been left mostly to GOP veterans, who brought in establishment figures and never managed to fill some slots at all, leaving the president exposed to the bureaucratic resistance that his acolytes believe undermined him at every step: the dreaded “deep state.”

They were determined not to let this happen again. This time, Trump would take office with a fully staffed, carefully selected administration ready to roll. Thus the name of this new effort at Heritage, is Project 2025. It would consist of four “pillars”: an 887-page policy plan, a database of conservatives willing to serve in the administration, training seminars for potential new appointees on the functions of government and a battle plan for each agency.

In recent months, Project 2025 has gotten attention for some of the more radical proposals in its policy plan — such as reinstating more stringent rules for the use of the abortion pill mifepristone and abolishing some federal agencies. On the campaign trail, President Joe Biden and Vice President Kamala Harris made the project the centerpiece of their case against a Trump restoration. Their attacks were so effective that Trump has publicly disavowed the effort (while selecting a running mate, Ohio Sen. J.D. Vance, who is closely allied with Heritage).

 

LINK OF THE AUGUST 2024 CITY-COUNTY OBSERVER PRINTED PAPER 5, 2024

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LINK OF THE AUGUST 2024 CITY-COUNTY OBSERVER PRINTED PAPER

July 6, 2024

LINK ATTACHED BELOW

Aug. CCO Final

FREAKNIK: The Ultimate Spring Break Festival

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FREAKNIK: The Ultimate Spring Break Festival

written by Johnny Kincaid

AUGUST 5, 2024

In a recent IS IT TRUE, the City-County Observer described an event marketed as a “Freaknik Hoedown.” The night of the event was marked by mayhem that ended in the tragic shooting of three people. Many have asked about Freaknic, how it started, and why it’s an issue for Evansville.

What is Freaknik?

The name “Freaknik” is a derivative of “Freaky” and “Picnic”

Freaknik is a legendary spring break festival that began in the 1980s in Atlanta, Georgia. Originally conceived as a small picnic for students of historically black colleges and universities (HBCUs) located in Atlanta who couldn’t go home or to the beach for spring break.

The event grew every year to become a massive festival that took over the streets of downtown Atlanta. What was meant to be a service to students who would stay on campus became an event that attracted people from all over.

Who Attended Freaknik?

Freaknik attracted a diverse crowd, primarily composed of college students and young adults, though its appeal extends to anyone seeking a vibrant and energetic party atmosphere. Attendees come from all over the United States, drawn by the event’s reputation for being one of the wildest and most unforgettable parties of the year. The festival has been trendy among African American communities but welcomes people from various ethnic backgrounds.

Economic Impact on the Host Community

For Atlanta, Freaknik was a significant economic boon. The influx of visitors generated revenue for local businesses, particularly those in the hospitality, food, and entertainment sectors. Additionally, Freaknik provided temporary employment opportunities for residents, from event staff and security personnel to vendors and performers.

Challenges and Controversies

As the event grew, so did the problems, including massive traffic congestion, public safety concerns, and lewd behavior. During the 90s, Freaknik became associated with crime, including assaults and shootings. These issues led to a decline in community support and increased law enforcement presence.

The 1996 Atlanta Olympics had a significant impact on Freaknik. As Atlanta prepared to host the Olympics, city officials were keen on improving the city’s image and infrastructure. This led to increased pressure to control or shut down events like Freaknik. The need for a positive global image and the focus on Olympic preparations contributed to stricter law enforcement and restrictions on Freaknik, leading to its decline in the late 1990s.

Ultimately the city decided to shut it down in its original form.

Attempts To Revive The Freaknic party

In recent years there has been interest in reviving Freaknik. A documentary producer created an hour-long film about the history of the event currently streaming on HULU. The documentary focuses on the great party that was Freaknik while glossing over the allegations of lewd behavior, sexual assaults, and other alleged crimes.

The nostalgia for the wild party has led people in communities around the nation to create their own “Freaknik”. The parties are often “organic” in nature, arranged with minimal planning, and lacking in permits or notification to local authorities.

Violence associated with Freaknik events include:

Saginaw, Michigan: two died and 13 were injured in a shooting at a Freaknik event in 2023.

Sandersville, Georgia: two died when violence broke out in 2022.

Selma, Alabama: the police chief was suspended after a shootout between rivals attending a Freaknik event in 2024.

Louisville, Alabama: a small town of 600 people had over 900 people descend on the community for a Freaknik party in 2024. One young girl was shot and killed.

Evansville, Indiana: Three people were shot at a local gas station after a June 29 Freaknik event.

CCO Podcast-Law And Order Luncheon

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On August 1, the CCO held a luncheon with a panel discussion about law and order in Vanderburgh County. The discussion was led by former state representative Ryan Hatfield, and the panelists included Vanderburgh County Sheriff Noah Robinson, Judge Les Shively, and Chief Deputy Prosecutor Winston Lin.

The conversation covers a variety of topics and deserves a listen.

LETTER TO THE EDITORL: Head-to-Head Competition: Biological Males vs. Biological Females at Elite Levels

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joe wallace
joe wallace

LETTER TO EDITOR:  Head-to-Head Competition: Biological Males vs. Biological Females at Elite Levels

submitted by JOE J. WALLACE

AUGUST 5, 2024

The debate surrounding the inclusion of transgender athletes in elite sports has gained significant attention, especially with the recent unprecedented event at the 2024 Olympics, where a biological male competed in women’s boxing. The bout ended swiftly and dramatically, with the female boxer suffering severe injuries, sparking widespread debate about fairness in sports. This incident underscores the critical need to understand the physiological differences between biological males and females and how these differences manifest in elite athletic performance.

Physiological Differences

Biological males and females have distinct physiological differences that affect athletic performance. These differences are largely due to variations in hormone levels, muscle mass, bone density, and cardiovascular capacity. For instance, males typically have higher levels of testosterone, which contributes to greater muscle mass, strength, and endurance. They also generally have larger lung and heart capacities, allowing for more efficient oxygen delivery during intense physical activity.

Comparative Performance in Sports

Historically, male athletes have consistently outperformed their female counterparts in most sports. This performance gap is evident in various metrics, such as speed, strength, and endurance. For example, the world records in track and field events show that men’s records are significantly faster than women’s. In the 100 meters sprint, the men’s world record stands at 9.58 seconds, set by Usain Bolt, while the women’s record is 10.49 seconds, held by Florence Griffith-Joyner—a difference of approximately 10%.

In endurance events, the gap persists. The men’s marathon world record is 2:01:39, set by Eliud Kipchoge, while the women’s record is 2:14:04, held by Brigid Kosgei. This represents a performance difference of about 10.3%. These disparities highlight the inherent advantages that biological males possess due to their physiological makeup.

Head-to-Head Competition

Instances of direct competition between biological males and females are rare, particularly at the elite level. However, the existing examples often reinforce the significant performance gap. In mixed-gender sports like equestrian events or mixed doubles in tennis, skill and strategy can sometimes mitigate physical differences, but these are exceptions rather than the norm.

In combat sports, the differences are even more pronounced. The recent Olympic boxing match serves as a stark example, where the physical advantages of the biological male were overwhelmingly evident. Combat sports demand not only skill but also raw physical power, which is where the physiological differences become critical.

Historical and Contemporary Comparisons

There are no recorded instances of a female Olympian or NCAA champion beating a male in the same event under comparable conditions. Even in sports where women have achieved remarkable success, such as gymnastics or figure skating, direct competition with males would likely yield significant performance disparities due to differences in strength and physical dynamics. physical dynamics.

Percentage Differences

On average, studies indicate that men outperform women by approximately 10-12% in most athletic endeavors. This percentage can vary depending on the sport and specific event. In weightlifting, the difference can be more pronounced, with men lifting significantly heavier weights than women. For instance, in the snatch event, the men’s world record is 220 kg, while the women’s is 155 kg, a difference of around 29.5%.

Case Study: Katie Ledecky

Katie Ledecky is a prime example of an extraordinary female athlete who dominates her field. She holds the 20 fastest times ever recorded in the 1500-meter freestyle. Her recent gold medal at the 2024 Olympics was won with a time of 15 minutes and 30 seconds. While this time is exceptional in women’s swimming, it would place her outside the top ranks in men’s competition.

The men’s world record in the 1500-meter freestyle is 14 minutes and 31.02 seconds, set by Sun Yang. Comparing Ledecky’s time to the top male performances, her best would rank her roughly 38th among men, based on historical data. This comparison illustrates the significant performance gap, even among the most elite athletes.

Conclusion

The incident at the 2024 Olympics has reignited the debate over the inclusion of transgender athletes in women’s sports. While the goal of inclusivity is commendable, it is essential to consider the physiological differences that can lead to significant advantages in competition. The performance gap between biological males and females is well-documented and substantial, typically ranging from 10% to 30% depending on the sport.

The dream of fair competition must balance inclusivity with fairness. Ensuring that all athletes have the opportunity to compete on a level playing field is crucial for the integrity of sports. The recent events highlight the need for ongoing dialogue and research to develop policies that honor both inclusivity and fairness, safeguarding the dreams and safety of all athletes.

FOOTNOTE:  The City-County Observer posted this article without basis, opinion or editing.

100 Guys Who Care Awards $10,000 to Chemo Buddies

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Chemo Buddies is presented with $10,000 by 100 Guys Who Care.

At their quarterly meeting, 100 Guys Who Care gifted Chemo Buddies with $10,310, bringing the total philanthropy for the group to over $250,000.

The group comes together quarterly to support local charities. Each man in attendance donates $100 either in cash or in a check with the pay to the order line blank. 100 Guys Who Care don’t have a bank account or by-laws; they are just a group of men who collectively make large donations to provide a major boost to local non-profits.Death List Report.

Three non-profit groups are invited to their quarterly meeting to present about their financial needs. The 100 Guys vote on the charity they want to support, and the charity with the most votes gets the entire $10,000 donation.

Field and Main Bank donates $500 to the other two charities and pays for food every quarter.

The $10,000 donation to Chemo Buddies will go a long way toward covering the cost of providing blankets and wigs and supporting the organization’s mission of providing hope to area cancer patients. Chemo Buddies founder Jill Kincaid promised the 100 Guys Who Care that every dollar will be utilized in the local community.

The two non-profits that received $500 from Field and Main were Warrick Humane Society and Granted.

Granted makes a presentation about their new building plans.

King Closes Olympic Career with Relay Gold, World Record

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King Closes Olympic Career with Relay Gold, World Record

By CCO Staff

Locals had plenty to cheer about while watching Lilly King take to the water in her final Olympic competition.

Evansville’s King ended her career on a high note when she and Team USA struck gold in the Women’s 4×100-Meter Medley and set a world record with a time of 3:49.63.

The Reitz graduate has won a medal at all three Olympics she has competed in, including three gold medals.

While watching Team USA and cheering them on to victory is a fun way to spend a summer day, it’s even more special when you know you could encounter that gold medalist on the street someday. We are all proud of Lilly King and want to congratulate her on her latest Olympic gold medal.

Franklin artist in residence helps bring Hollywood to Hoosiers, proving ‘dreams aren’t dumb’

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Franklin artist in residence helps bring Hollywood to Hoosiers, proving 'dreams aren’t dumb'
Gordon Strain, third from left, and his family at the premiere of “The Duel.” Strain is a co-owner of Pigasus Pictures and an artist in residence at Franklin College.  Photo by Arianna Hunt, TheStatehouseFile.com.

The Soldiers and Sailors Monument served as the backdrop for the world premiere of “The Duel” at Hilbert Circle Theatre in Indianapolis Sunday. A brass band, Swing Shift Indy, played for the line of people that stretched around the block—but of course, some in attendance didn’t need to wait in line. They used the red carpet, where cameras flashed and fans whooped for the celebrities walking inside.

Gordon Strain, co-owner of Pigasus Pictures and a key figure behind “The Duel,” wore a jacket with “Dreams Aren’t Dumb” in rhinestones on the back. He has been a theatre professor and an artist in residence at Franklin College since 2006 and lives in Franklin with his wife, Dianne Moneypenny, and their 14-year-old daughter, Josephine; he also has a 26-year-old daughter, Darian.

“The Duel” is a feature-length movie about best friends Colin (Dylan Sprouse, “The Suite Life of Zack and Cody”) and Woody (Callan McAuliffe, “The Walking Dead”). After Colin sleeps with Woody’s girlfriend, Woody challenges Colin to a classic—albeit recently unconventional way of settling differences—a duel. Their adventure leads them to an antique/dueling emporium owned by a man named Christof (Patrick Warburton, “The Emperor’s New Groove”) and all the way to a drug baron’s estate in Mexico.

In 2016, Strain joined Pigasus Pictures when his former Indiana University peer, Zachary Spicer, was in need of a talented scene designer and asked Strain to help on a movie.

“Pretty quickly in that process, we figured out that I was more useful and doing more than just designing,” Strain said.

In 2020, many years—and films—Strain and Spicer began production on “The Duel”—another opportunity for the two Indiana natives to bring a film production to their home state.

The work begins

Filming began in Indiana during the pandemic, which had its challenges. Strain said they administered around 1,500 COVID-19 tests with no positive cases. Even so, the challenges of quarantine may have helped the chemistry between actors.

Franklin artist in residence helps bring Hollywood to Hoosiers, proving 'dreams aren’t dumb'

The premiere of “The Duel” took place Sunday at Hilbert Circle Theatre in Indianapolis.  Photo by Arianna Hunt, TheStatehouseFile.com.

“They left us in a house together to quarantine, and [Dylan Sprouse] brought Super Smash Brothers,” said Callan McAuliffe during the after-premiere Q and A. “So maintaining the chemistry was pretty easy because I have a burning hatred for him—because he would beat me every single time,” he joked.

Because of the pandemic, Strain’s daughter was in e-learning, which meant he could bring her to set, which he loved.

“One night [Patrick Warburton,] spent hours playing a game with Josephine,” Strain said. “And you know, she could care less who he is, she just knew that this nice guy was willing to play games with her while she was sitting around so, you know, I just have a lot of little memories like that, that it was like, oh yeah, this was just a good fun time where everything sort of clicked.”

Strain said the cast and crew made the entire experience enjoyable, but it was still not without some unforeseen hiccups.

He got a call one day that they needed a 400-pound pig for filming, which he thought was impossible, but he eventually landed on Bashi, a pig from Spotted Pig Farm in Franklin. Only one problem, they didn’t have permission to have pig at their filming location.

“You know, we would rather ask forgiveness than permission for this one. So we snuck the pig into the catacombs under [Indianapolis] City Market, and we sort of had a little makeshift-like pen for him,” Strain said.

Local mission

Part of Strain and Spicer’s mission as an Indiana film company is to show that movies like this can be produced in the state. If you look closely, you may spot a few Indianapolis favorites in “The Duel,” like Fountain Square’s Inferno Room tiki bar, the catacombs beneath City Market, Midland Arts & Antiques, and Asherwood, the former estate of Mel and Bren Simon in Carmel.

“Zach is from Greencastle originally, and I’m from Indianapolis originally. So part of our mission is to get people to not leave the state, to prove that we can do this kind of work here,” Strain said, “and to make it exciting for other people. … So like, [to show] kids who are going to Franklin or IU or wherever they’re going, if they care about filmmaking, hey, it can happen here.”

One of the reasons other film production companies have struggled to make films in Indiana has to do with taxes. Until 2022, when the Indiana General Assembly passed Senate Enrolled Act 361, filmmakers were fighting for tax credits for media production in Indiana that many other states already had. Still, the credit needs work and has issues with outside investors that are still limiting filmmakers’ budgets.

Part of filming in Indiana on a small budget meant being creative in choosing locations, like the Blue Springs Cavern posing as an underground waterway to Mexico.

“My favorite part [of the movie] was definitely when we filmed on the underground river. You know, it’s probably like 10 or 15 seconds in the film. But we have a small budget, we don’t have tons of money on these, and it was the first time that I really felt like we had a huge budget,” Strain said.

“We’re in an underground river, and we have all the camera equipment on these boats, and we’re doing all this stuff, and I was like, man, this is like an Indiana Jones movie right now. It really felt like we were much bigger than we actually are at that moment.”

Students on and off-screen

Strain’s dual role in the film industry and Franklin College, allows him to give students opportunities, like Katy Thompson, a 2021 graduate who served on the art team and is now house manager for the Indiana Repertory Theater.

As a senior taking a full course load, Thompson couldn’t be part of every day of filming, but she tried her best, staying up all night on some shoots and still making it to class the next morning.

“I thought the overnight shoots were a lot of fun,” she said. “We did several overnight shoots, and so I would go to my classes during the day, and then as soon as those were over, I would drive up to set, and then I would be there all night long, just hanging out with people, learning things about the film that I’d never known before. And then get home maybe 4 or 6 a.m. take a little nap and go to my classes the next day.

“My team was very understanding of the fact that I was still in school,” she added. “So they definitely gave me the time that I needed to work on my classwork because that had to come first. But I was, I was able to manage it pretty well … It was very much worth it.”

Thompson even played as an extra in her favorite scene of the film—though moviegoers might only see her ponytail.

“I enjoyed the Peppy’s Grill scene because I think it’s very funny and also because the entire art department was extras for that scene,” she said. “We didn’t have any extras that day, so the entire art department just decided to be the extras. You can see my ponytail just barely over [an actor’s] shoulder.”

Ticket of a lifetime

Other Franklin College students were also given the chance to be involved as attendees of the premiere. They ditched their college sweatshirts for suits and floor-length gowns.

“The premiere was so much fun. I love theatrics, and this whole event was just built around theatrics, and I wish that I could do something like this every day of my life,” said Erin Bruce, a junior at Franklin College and co-news editor of The Franklin.

“I am honestly still in disbelief. I got pictures with Patrick [Warburton]. My sister got pictures with Cole [Sprouse]. It was pretty amazing, like shook hands and everything,” said Trinity Whitted, a sophomore at Franklin College. “ It was spectacular. Like definitely, definitely a once-in-a-lifetime opportunity for sure.”

During a reshoot, a small scene was filmed at Franklin College between the President’s House and Dietz Center for a nighttime shot that was originally at another location. “Movie magic” makes it nearly impossible to identify which scene it was, says Strain.

“I think we’re providing great experiences for our students. And you know, Franklin has given me a lot of opportunities to experiment and push myself in my own work, I think because I’m willing and eager to involve students in it,” Strain said.

“The Duel” premiered nationwide July 31, at over 500 theaters, and will continue to play at select theaters for the next two weeks.

FOOTNOTE: Arianna Hunt and Ashlyn Myers are reporters for TheStatehouseFile.com, a news website powered by Franklin College journalism students. 

This article was first published in Franklin College’s campus newspaper, The Franklin, for which Myers is outgoing and Hunt is the incoming editor-in-chief. 

Comptroller Nieshalla and Treasurer Elliott Applaud Pension Plan’s Fast Action to Divest Assets from China

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Comptroller Nieshalla and Treasurer Elliott Applaud Pension Plan’s Fast Action to Divest Assets from China

AUGUST 3, 2024

STATEHOUSE – Indiana State Comptroller Elise Nieshalla and Treasurer Daniel Elliott offer their praise for the speedy action taken by the Indiana Public Retirement System (INPRS) to divest assets from China. Both Comptroller Nieshalla and Treasurer Elliot are INPRS board members.

In 2023, Indiana became the first state to enact a law, Senate Enrolled Act 268, requiring the public pension system to divest within five years from “any investment that is domiciled, issued, incorporated or listed in the People’s Republic of China or the Chinese Communist Party.” The law passed both chambers with unanimous, bipartisan support. As of July 1, 2024, just one year later, the pension plan has divested 100 percent of the $1.2 billion investments in Chinese entities.

“China is one of the foremost threats against our country’s national security, and INPRS has nobly exceeding the parameters set forth in the law by divesting Hoosier’s pension dollars from China ASAP,” Comptroller Nieshalla said.

“By divesting from China and focusing on investments in countries that value the principles of democracy, capitalism and freedom, we are safeguarding the best financial interest of Hoosiers and our nation,” said Treasurer Elliott.

Both Comptroller Nieshalla and Treasurer Elliott commend Senators Chris Garten, Aaron Freeman and Travis Holdman who authored SEA 268, and the Indiana General Assembly for passing this necessary common-sense legislation.

Lincoln Clark Douglass Alumni Reunion Returns to Evansville August 9-11

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Evansville, IN – August 6, 2024 — The Lincoln Clark Douglass Alumni Reunion will return to Evansville from August 9 to August 11. This event promises a memorable experience for alumni as they reconnect, celebrate, and create new memories in the heart of Evansville.
The Lincoln Clark Douglass Alumni Reunion is more than just a gathering; it celebrates shared history, accomplishments, and lifelong bonds. This year, we are honored to welcome Reuben Norris as a notable attendee. Reuben Norris, affectionately known around the state as “The Godfather of Basketball Officials,” has been a pivotal figure in basketball officiating, mentoring countless officials and raising the profession’s standards. A Lincoln Clark Douglass alum and graduate of George Williams College of Aurora University, Reuben quickly found his career officiating basketball and rubbing elbows with the likes of Magic Johnson, Larry Bird, Michael Jordan, and Former President Barack Obama to name a few. His presence at the reunion will undoubtedly inspire current and future generations.
The Lincoln Clark Douglass Alumni Association has a storied legacy, rooted in the history of Lincoln High School, Clark High School, and Douglass High School. These institutions played a pivotal role in the education and empowerment of African American students in Evansville before integration. Now, the association also includes community partners known as the Reunion Collective, which comprises Ebone’66, Essence of the 70s, Light of the 80s, and Spirit of the 90s. This Collective represents four decades of African American high school graduates, further fostering a sense of unity and pride among its members.
Over the years, the Lincoln Clark Douglass Alumni Association has been dedicated to preserving the legacy of these historic schools through various initiatives, including scholarship programs, community outreach, and cultural preservation efforts. The addition of the Reunion Collective enriches these efforts, bringing together graduates across generations. Their commitment to education and community service remains a cornerstone of the association’s mission.
Lincoln Clark Douglass invites all alumni to join us for this special occasion. Whether it’s your first reunion or a cherished tradition, the Lincoln Clark Douglass Alumni Reunion promises to be an unforgettable experience.